Spain – Famous architect Ricardo Bofill dies


Famous Spanish architect Ricardo Bofil, who signed more than 1,000 projects around the world and was well known in France, died Friday at the age of 82 from complications of Covid-19, his family announced.

“He died a few hours ago,” Pablo Bofil’s son told AFP.

In a statement, its architectural firm, the Ricardo Bofill Taller de Arquitectura (RBTA), said Bofill had died in Barcelona (northeastern Spain) and paid tribute to “the Spanish architect with the longest international career”.

Born on December 5, 1939 in Barcelona to a Catalan father, also an architect, and a Venetian mother, Ricardo Bofil Levy began his studies in 1957 at the Barcelona School of Architecture, from which he was expelled for acting against Franco, before continuing his studies in Geneva.

The architectural office “Ricardo Bofill Taller de Arquitectura”, founded in 1963 and set up in an old cement factory on the outskirts of Barcelona, ​​with branches in Paris, Montpellier, New York, Tokyo, Chicago and Beijing, has sign more than 1,000 projects worldwide.

Works by Ricardo Bofill are mainly Barcelona Airport, the National Theater of Catalonia, the Convention Center in Madrid or the Donnelley and Dearborn skyscrapers in Chicago.

In France, where he was well known and highly regarded, Beaufort signed large social housing complexes, such as the Espaces d’Abraxas in Noise-le-Gran, on the outskirts of Paris, where several scenes from the cult sci-fi film “Brazil” were filmed. , by Terry Gilliam (1985), or the Antigone neighborhood in Montpellier (south).

A “star architect”, famous – but sometimes criticized – in France, Beaufort has signed hundreds of works around the world, obsessed with putting people at the center of the space.

“Architecture is the victory of man over the irrational,” he liked to say, driven by the insistence on creating a different architectural “language” by organizing the space around man.

During his career, Beaufort joined the very closed club of “star architects” to which Norman Foster, Renzo Piano and Jean Nouvel belong.

“The ‘star system’ caught me in France in 1974. At that time, architects were beginning to be important, to play a dominant role in society and because of that I gained a great reputation,” he said in an interview published in May 2020 in Spanish newspaper ABC.

With the ambition to create urban utopias “in an extremely monumental classical language on a scale never before seen,” Douglas Murphy writes in Ricardo Bofill: Visions of Architecture.

On the field, however, the “Espaces d’Abraxas”, which was degraded and criticized by some residents as living conditions had deteriorated over the years, almost collapsed.

“Their demolition would be a lack of culture,” Ricardo Bofill told the French newspaper Le Monde in 2014. While acknowledging that he “failed to change the city.”

Passionate about the organization of the space, Beaufort was particularly inspired by the Italian architect Andrea Palantio, the Renaissance or even the 17th and 18th century French architects François Mansard and Claude-Nicolas Lentou. But also from the villages of Tuareg where this self-proclaimed “prefecture” went to look for ideas at the beginning of his career.

“I think I know how to do two things: (…) design cities (…) and try to invent different architectural languages ​​and never repeat them,” he said at a conference in Barcelona last June.

Source ΑΠΕ-ΜΠΕ  

Leave A Reply

Your email address will not be published.